{"id":192,"date":"2016-08-22T11:31:12","date_gmt":"2016-08-22T10:31:12","guid":{"rendered":"https:\/\/foradcampexhibition.wordpress.com\/?page_id=192"},"modified":"2016-08-22T11:31:12","modified_gmt":"2016-08-22T10:31:12","slug":"official-section-2016","status":"publish","type":"page","link":"https:\/\/foradcamp.com\/en\/official-section-2016\/","title":{"rendered":"Official Section 2016"},"content":{"rendered":"
5th Nature and Cinema Exhibition Forad<\/em>Camp 2016
\n<\/strong><\/h5>\n

.<\/span>
\n165\/60<\/em><\/strong>, Anton Brutski. (Belarus<\/span>, 2014, 17 min)<\/span><\/p>\n

\"165x60<\/p>\n

.<\/span><\/p>\n

Can one triumph over death, which always comes unexpectedly? It\u2019s allways early to die, no matter how old you are, isn\u2019t it?<\/p>\n

Autumn. An old village in a Belarus<\/span> remote place. An elderly man is starting his fight against the passing of time.<\/p>\n

 <\/p>\n

+ watch trailer<\/a><\/strong><\/p>\n

.<\/span><\/p>\n

Beyond the forest<\/em><\/strong>, Francesca Bertin & Leonhard Kaufmann. (Germany, 2015, 9 min)<\/span><\/p>\n

\"forest1\"<\/p>\n

:<\/span><\/p>\n

.<\/span><\/p>\n

Beyond the forest is the city of tomorrow, before the forest are the villages of yesterday.<\/p>\n

.<\/span><\/p>\n

:.<\/span><\/p>\n

:<\/span><\/p>\n

Borda d\u2019\u00e1gua<\/em><\/strong>, Jo\u00e3o Viegas & Miguel Canaverde. (Portugal, 2015, 18 min)<\/span><\/p>\n

\"borda\"<\/a>.<\/span><\/p>\n

At the edge of the Tagus lies a village, forgotten, protected by water. The fishing for shad and lamprey rejuvenates the aging community. In the dark and cold night, the lantern light of Tom\u00e1s family leads us to the mastery and bravery of rolling fish nets. The couple’s path was always sharing the river. Side by side.<\/p>\n

 <\/p>\n

+ watch trailer<\/a><\/strong><\/p>\n

:<\/span><\/p>\n

Establishing Eden<\/em><\/strong>, Margit Luk\u00e1cs & Persijn Broersen. (Netherlands, New Zealand, 2016, 10 min)<\/span><\/p>\n

\"EstablishingEden_BroersenLukacs_0333_Courtesy<\/span><\/p>\n

In \u2018Establishing Eden\u2019 Broersen & Luk\u00e1cs focus on the establishment shot: the moment a landscape is identified and becomes one of the main protagonists. In blockbusters like Avatar<\/em> and The Lord of the Rings<\/em> films these shots have been used to capture and confiscate New Zealand to construct it as a new Eden. Broersen & Luk\u00e1cs recreate these shots and show this Eden as a series of flat images, creating an apparent reality, an illusion that just as easily falls together as apart.<\/p>\n

.<\/span><\/p>\n

F\u00f3ra do Continente<\/em>,<\/strong> Nico Mart\u00ednez Mill\u00e1n. (Spain, 2014, 20 min)<\/span><\/p>\n

\"FDC_Still<\/p>\n

Chefa and Victoria, the only women that share space, climate and isolation on the Ons Islands (Galicia), understand life in a totally opposite way. The bravery and the energy of one of them contrast with the fear to what might come from outside of the other. \u2018F\u00f3ra do Continente\u2019 is the allegation that the own protagonists do of an almost deserted island. In the era of (tele) communications and societies 2.0, two families live year-round in an isolated island. Away from the big supermarkets, public health and education, Cesario, Victoria, Emilio and Chefa refuse to leave these Galician islands.<\/p>\n

+ watch trailer<\/a><\/strong><\/p>\n

.<\/span><\/p>\n

Inamovibles<\/em><\/strong>, T\u00e0nit Fern\u00e1ndez & Isaac Rodr\u00edguez. (Spain, 2015, 5 min)<\/span><\/p>\n

\"fotograma<\/p>\n

.<\/span><\/p>\n

Unmovable, immutable over time, resistant through centuries; solid, robust but simple and beautiful: they are the vineyard huts, built by the technique of dry stone.<\/p>\n

Oneiric representation of vineyard huts resistance over the passing of time.<\/p>\n

:<\/span><\/p>\n

;<\/span><\/p>\n

Miejsce (The place)<\/em>,<\/strong> Julia Pop\u0142awska. (Poland, 2015, 15 min)<\/span><\/p>\n

\"miejsce_<\/p>\n

.<\/span><\/p>\n

In a workplace situated higher than any other in Poland, the constant nocturnal observation of the surrounding world is an unbroken norm.<\/p>\n

The employees suspended in beyond time and space in \u2018the Place\u2019 remain at their posts, unshaken and immovable, despite reversals, adversities and startling situations.<\/p>\n

 <\/p>\n

+ watch trailer<\/a><\/strong><\/p>\n

.<\/span><\/p>\n

Mot nord (North bound)<\/em><\/strong>,<\/em> J\u00f8rn Nyseth Ranum. (Norway, 2015, 10 min)<\/span><\/p>\n

\"mot<\/p>\n

.<\/span><\/p>\n

We are accustomed to see the skateboard being used in cities and on the hard asphalt. This film shows the first attempt to bring skateboard into nature and skate on frozen sand beaches in northern Norway.<\/p>\n

Join four of Norway’s best skaters in this poetic and playful encounter with the Arctic winter.<\/p>\n

+ watch trailer<\/a><\/strong><\/p>\n

 <\/p>\n

:<\/span>Nobody Dies Here,<\/em><\/strong> Simon Panay. (France, 2016, 23 min)<\/span><\/p>\n

\"nobody1\"<\/p>\n

.<\/span><\/p>\n

Perma gold mine, Benin. Some dream to find something, others realized there was nothing to be found. Some dig relentlessly hoping to become rich, others died in the process. And a few of them say that here, nobody dies.<\/p>\n

:<\/span><\/p>\n

.<\/span><\/p>\n

Obiekt<\/em><\/strong>, Paulina Skibi\u0144ska. (Poland, 2015, 15 min)<\/span><\/p>\n

\"OBJECT<\/span><\/p>\n

.<\/span><\/p>\n

\u2018Obiekt\u2019 is a creative and abstract image of an underwater search. The action takes place in the dimensions of two worlds: ice desert and underwater. The story is told from the point of view of the rescue team, of the diver entering the underwater all covered by ice, and of the ordinary people awaiting on the shore.<\/p>\n

.<\/span><\/p>\n

+ watch trailer<\/a><\/strong><\/p>\n

.<\/span><\/p>\n

Rumba (Waterfall),<\/em><\/strong> Laila Pakalnina. (Latvia, 2016, 20 min)<\/span><\/p>\n

\"Rumba_2\"<\/p>\n

:<\/span><\/p>\n

.<\/span><\/p>\n

What to do in Ventas Rumba, the widest waterfall in Europe?<\/p>\n

 <\/p>\n

:<\/span>+ watch trailer<\/a><\/strong><\/p>\n

.<\/span><\/p>\n

Som pastor<\/em><\/strong>, Borja Zausen. (Spain, 2015, 8 min)<\/span><\/p>\n

\"IM_SOM<\/p>\n

.<\/span><\/p>\n

Miguel is 11 years old and lives in Ses Olleries, just outside the little village of Santa Eug\u00e8nia, in Mallorca Island. He gets up every morning and he takes care of his animals before going to school. He enjoys his childhood, knowing it\u2019s a very important step before becoming a committed adult. \u2018Som pastor\u2019 is the story of a boy who thinks like a wise and experienced man.<\/p>\n

+ watch trailer<\/a><\/strong><\/p>\n

.<\/span><\/p>\n

.<\/span>Strana Udehe (Udehe country)<\/em><\/strong>,<\/em> Ivan Golovnev. (Russia, 2015, 26 min)<\/span><\/p>\n

\"udele\"<\/span><\/p>\n

.<\/span><\/p>\n

This film takes us into the world of Udehe, indigenous people of the Far East of Russia. According to the census of 2010, their population dropped to 1,490 souls.<\/p>\n

+ watch trailer<\/a><\/strong><\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

.<\/span>The art of flying<\/em><\/strong>, Jan van Ijken. (Netherlands, 2015, 7 min)
\n<\/span><\/p>\n

\"flying\"<\/p>\n

.<\/span><\/p>\n

Short film about \u201cmurmurations\u201d: the mysterious flights of the Common Starling. It is still unknown how thousands of birds are able to fly in such dense swarms without colliding. Every night the starlings gather at dusk to perform their stunning air show.<\/p>\n

.<\/span><\/p>\n

.<\/span>+ watch trailer<\/a><\/strong><\/p>\n

.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

5th Nature and Cinema Exhibition ForadCamp 2016 . 165\/60, Anton Brutski. (Belarus, 2014, 17 min) . Can one triumph over death, which always comes unexpectedly? It\u2019s allways early to die, no matter how old you are, isn\u2019t it? Autumn. An old village in a Belarus remote place. An elderly man is starting his fight against…Read more Official Section 2016<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-192","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/comments?post=192"}],"version-history":[{"count":1,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/192\/revisions"}],"predecessor-version":[{"id":1971,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/192\/revisions\/1971"}],"wp:attachment":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/media?parent=192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}