{"id":1972,"date":"2017-08-31T00:37:19","date_gmt":"2017-08-30T22:37:19","guid":{"rendered":"http:\/\/foradcamp.com\/en\/?page_id=1972"},"modified":"2017-08-31T00:37:19","modified_gmt":"2017-08-30T22:37:19","slug":"official-section-2017","status":"publish","type":"page","link":"https:\/\/foradcamp.com\/en\/official-section-2017\/","title":{"rendered":"Official Section 2017"},"content":{"rendered":"
6th Nature and Cinema Exhibition Forad<\/em>Camp 2017
\n<\/strong><\/h5>\n

.<\/span><\/p>\n

Chyrak (A lamp)<\/em><\/strong>, Asel Zhuraeva (Kyrgyzstan, 2016, 10 min)<\/p>\n

\"Chyrak,<\/p>\n

.<\/span><\/p>\n

The life of Zalkarbek and his mother Kalbu, who live without electricity, 15 km far from the state capital city, Bishkek.<\/p>\n

.<\/span><\/p>\n

 <\/p>\n

.<\/span><\/p>\n

E.B.C. 5300 m.<\/em><\/strong>, L\u00e9onard Kohli (Switzerland, 2015, 15 min)<\/p>\n

\"E.B.C.<\/p>\n

.<\/span><\/p>\n

\u00abE.B.C. 5300m \u00bb portrays the Everest Base Camp. The camp, set on a glacier, is assembled and dismantled every year for a period of 2 months. Between guides, cooks, government officials and guests, it houses a little bit less than 1,000 people.<\/p>\n

.<\/span><\/p>\n

+ watch trailer<\/strong><\/a>
\n <\/p>\n

.<\/span><\/p>\n

Fajr<\/em><\/strong>, Lois Pati\u00f1o (Spain, 2016, 12 min)<\/p>\n

\"Fajr,<\/p>\n

.<\/span><\/p>\n

In the Moroccan desert, night dilutes forms and silence slides through sand. Dawn starts to draw silhouettes of dunes while motionless figures punctuate landscape. From night\u00b4s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densifies it. The adhan<\/em> \u2013call to pray\u2013 sounds and immobility, that was condensing, begins to irradiate. And now the bodies dissolve into the desert.<\/p>\n

.<\/span><\/p>\n

 <\/p>\n

Grapevines<\/em><\/strong>, Luka Papi\u0107 (Serbia, Germany, 2016, 19 min)<\/p>\n

\"Grapevines\"<\/p>\n

.<\/span><\/p>\n

Sale is a 12 years old boy who spends summer in Vrbas with his uncle, a karate coach and a hunter. Everybody in town wants to teach him something about life. But for Sale present is simple: nature is still, parents are absent, people talk, animals are in the fields and karate is a Soutine.<\/p>\n

.<\/span><\/p>\n

+ watch trailer<\/strong><\/a><\/p>\n

.<\/span><\/p>\n

 <\/p>\n

Tales from Rabassada<\/em><\/strong>, Ferran Romeu (Spain, 2016, 28 min)<\/p>\n

\"Historias<\/p>\n

.<\/span><\/p>\n

The films portrays the old casino of La Rabassada through the eyes of its current tenant, a globetrotter named Andrei, who introduces us to the remains of what it was the great dream of the Catalan bourgeoisie of the early twentieth century.<\/p>\n

.<\/span><\/p>\n

+ watch trailer<\/strong><\/a>
\n <\/p>\n

.<\/span><\/p>\n

Jellyfish weather<\/em><\/strong>, Katinka Baehr, Stefanie Visjager (Netherlands, 2016, 2 min)<\/p>\n

\"Jellyfish<\/p>\n

.<\/span><\/p>\n

Jesper (11 years) enjoys a nice day at the beach with his sister. Because of the weather, there are a lot of jellyfish. \u2018You can feel they don\u2019t want you there\u2019, says Jesper. \u2018They want the sea for themselves\u2019.<\/p>\n

.<\/span><\/p>\n

 <\/p>\n

.<\/span><\/p>\n

La pesca<\/em><\/strong>, Pablo \u00c1lvarez Mesa, Fernando L\u00f3pez Escriv\u00e1 (Colombia-Canada, 2017, 22 min)<\/p>\n

\"La<\/p>\n

.<\/span><\/p>\n

La pesca<\/em> portrays a day in the life of a family of fishermen in Colombia. With poetry and sensorial richness, the film captures the gestures of these men as they weave nets, cook, and play dominoes, all the while waiting for the fish to come so that they can recommence anew.<\/p>\n

.<\/span><\/p>\n

 <\/p>\n

My cat in me<\/em><\/strong>, Katinka Baehr, Stefanie Visjager (Netherlands, 2016, 2 min)<\/p>\n

\"My<\/p>\n

.<\/span><\/p>\n

Lieuwe, a 11 year old girl, has recently lost her cat. She reflects on the cycle of nature, and believes that there is a distant possibility of finding her pet.<\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

 <\/p>\n

Nature: all rights reserved<\/em><\/strong>, Sebastian Mulder (Netherlands, 2016, 22 min)<\/p>\n

\"Nature:<\/p>\n

.<\/span><\/p>\n

In a world where the original nature is widely disappearing, there seems to be a new form of nature: artificial nature. The film examines the context, experience and various forms of this simulated nature in a experimental way.<\/p>\n

.<\/span><\/p>\n

+ watch trailer<\/a>\u00a0<\/strong><\/p>\n

.<\/span><\/p>\n

 <\/p>\n

Pezcal<\/em><\/strong>, Pablo Briones (Cuba-Colombia, Switzerland, 2016, 11 min)<\/p>\n

\"Pezcal,<\/p>\n

.<\/span><\/p>\n

To train pigeons, to search for worms, to go fishing… The film portrays a day in the life of Leonel and Antu\u00e1n, two young friends of the Cuban countryside.<\/p>\n

.<\/span><\/p>\n

+ watch trailer<\/strong><\/a><\/p>\n

.<\/span><\/p>\n

 <\/p>\n

Pulse,<\/em><\/strong>\u00a0Robin Petr\u00e9 (Hungary, Belgium, Portugal, 2015, 26 min)<\/p>\n

\"Pulse\"<\/p>\n

.<\/span><\/p>\n

The film takes place on one of Europe\u2019s largest deer farms, home to 1,500 deers. The animals were first caught in the forest 25 years ago, and are essentially still wild. Pulse<\/em> looks at human-animal relations and the way we co-exist with nature.<\/p>\n

.<\/span><\/p>\n

+ watch trailer<\/strong><\/a>
\n <\/p>\n

.<\/span><\/p>\n

Through the looking glass<\/em><\/strong>, Yi Cui (China, 2017, 14 min)<\/p>\n

\"Through<\/p>\n

.<\/span><\/p>\n

On a high-land Tibetan pasture, a screening event unfolds quietly. Monks, herdsmen and their families gather by the screen to observe life captured through their own lenses.<\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

 <\/p>\n

Ur Artean (In the middle of water)<\/em><\/strong>, \u00cd\u00f1igo Jimenez, Jes\u00fas Mar\u00eda Palacios (Spain, 2015, 26 min)<\/p>\n

\"Ur<\/p>\n

.<\/span><\/p>\n

The film deals with the figures of the lighthouse-keeper Jos\u00e9 Manuel Andoin and his mother, Maria Torralbo, who lived for more than twenty years in the Island of Santa Clara, just 500 meters away from San Sebasti\u00e1n city, but isolated of society. Ur Artean<\/em> is the story of the enigmatic relationship between a strong character mother and a complacent son with a parallel life that turned him into a forgotten Olympic figure.
\n+ watch trailer\u00a0<\/strong><\/a><\/p>\n

.<\/span><\/p>\n

 <\/p>\n

Valentina<\/em><\/strong>, Ben Guez (United States of America, Mexico, 2017, 17 min)<\/p>\n

\"Valentina,<\/p>\n

.<\/span><\/p>\n

A magical-realism documentary inspired by the writing of Juan Rulfo about a shepherd and his wife living in a Mexican ghost town.<\/p>\n

.<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

6th Nature and Cinema Exhibition ForadCamp 2017 . Chyrak (A lamp), Asel Zhuraeva (Kyrgyzstan, 2016, 10 min) . The life of Zalkarbek and his mother Kalbu, who live without electricity, 15 km far from the state capital city, Bishkek. .   . E.B.C. 5300 m., L\u00e9onard Kohli (Switzerland, 2015, 15 min) . \u00abE.B.C. 5300m \u00bb…Read more Official Section 2017<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1972","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/1972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/comments?post=1972"}],"version-history":[{"count":10,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/1972\/revisions"}],"predecessor-version":[{"id":2097,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/1972\/revisions\/2097"}],"wp:attachment":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/media?parent=1972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}