{"id":2098,"date":"2018-08-30T18:50:09","date_gmt":"2018-08-30T16:50:09","guid":{"rendered":"http:\/\/foradcamp.com\/en\/?page_id=2098"},"modified":"2018-09-05T11:51:21","modified_gmt":"2018-09-05T09:51:21","slug":"official-section-2018","status":"publish","type":"page","link":"https:\/\/foradcamp.com\/en\/official-section-2018\/","title":{"rendered":"Official Section 2018"},"content":{"rendered":"<h5><strong>7th Nature and Cinema Exhibition Fora<em>d<\/em>Camp 2018<\/strong><\/h5>\n<p class=\"p1\"><b><i>After\/Life<\/i><\/b>, Puck Lo (USA, 2017, 15\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2182 \" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/Combat-Village-300x169.jpg\" alt=\"\" width=\"330\" height=\"186\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>In an Arizona desert, a dystopic collective nightmare unfolds where US domestic and foreign policies collide.<\/p>\n<p><a href=\"https:\/\/vimeo.com\/216867840\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>Cer\u00falia i negra<\/i><\/b>, Maci\u00e0 Florit Campins (Spain, 2018, 5\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2195\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/cerulia-300x226.png\" alt=\"\" width=\"329\" height=\"248\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>\u00abCerulean and black\u00bb is a romantic exploration of the maritime movement towards the night. Based on the unpublished work of the Menorcan painter Francisco Hern\u00e1ndez-Mora (1905-1980), the film digs its graphic motifs in the middle of a storm in the north of the island.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>Cucli<\/i><\/b>, Xavier Marrades (Spain, 2016, 16\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2201\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/CUCLI-04-300x130.jpeg\" alt=\"\" width=\"345\" height=\"149\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Cucli tells a story about love and companionship after death and its transformative effect. How through memories, the supernatural can find its way into our mundane lives.<\/p>\n<p><a href=\"https:\/\/vimeo.com\/172769051\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>El mar inm\u00f3vil<\/i><\/b>, Macu Mach\u00edn (Spain, 2018, 11\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2199\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/Still-Modesto-300x169.jpg\" alt=\"\" width=\"349\" height=\"197\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>In the islands of dry lava in Canary Islands nothing moves but the perpetual sea and wind. The salineros are devoted to them. In the art of desalinating the ocean, they have become a landscape.<\/p>\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=SMoSDiSa_h0\" target=\"_blank\" rel=\"noopener\">+ watch trailer<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>Ins Holz (In the woods)<\/i><\/b>, Corina Schwingruber Ili\u0107 &amp; Thomas Horat (Switzerland, 2017, 13\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2184\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/page68-1006-full-300x169.jpg\" alt=\"\" width=\"352\" height=\"199\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Snow, sweat, testosterone and the sound of chainsaws. Every four years, over a period of three moths in winter, a group of men cut the wood in a steep mountain high above Lake \u00c4geri and prepare it log rafting.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=SMoSDiSa_h0\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>La derni\u00e8re meute<\/i><\/b>, Morgane Thibaut (Belgium, 2017, 19\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2194\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/LDerriereM-300x163.jpg\" alt=\"\" width=\"360\" height=\"196\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>\u00abThe last pack of hounds\u201c portrays the last team of hunters with hound dogs from Belgium.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=XgzSKhHz0mA\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>La flor de la lengua de vaca<\/i><\/b>, Germ\u00e1n Reyes Ruiz (Colombia, 2018, 23\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2197\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/FLORLVACA-300x169.jpg\" alt=\"\" width=\"365\" height=\"205\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Camila lives her last days in the jungle as a guerrilla of the FARC-EP, at the crossroads between an uncertain future of peace and the lingering memory of a childhood severely punished.<\/p>\n<p><a href=\"https:\/\/vimeo.com\/206103386\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>Ligne noire<\/i><\/b>, Mark Olexa &amp; Francesca Scalisi (Switzerland, 2017, 11\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2198\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/LigneNoire-300x169.jpg\" alt=\"\" width=\"372\" height=\"210\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>A woman fishing in turbid waters, a suffering nature, the broken chant of the muezzin, all linked by a thin, black line.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/vimeo.com\/237578595\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>Maregrave<\/i><\/b>, Justine Cappelle (Belgium, 2017, 25\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2186\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/Still5-300x142.png\" alt=\"\" width=\"383\" height=\"181\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>An impressionistic portrait of the sea as a collector of human decay.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=vUxE32uSqik\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>The Mauritania railway: backbone of the Sahara<\/i><\/b>, MacGregor (USA, Spain, 2017, 12\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2200\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/The-Mauritania-Railway-still-1-300x133.jpg\" alt=\"\" width=\"386\" height=\"171\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>The Mauritania Railway is a 704-kilometer line linking the iron-mining center of Zouerat with the port of Nouadhibou. Atop a hopper car, we journey through vast Saharan landscapes with the people who rely on the train for their survival.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=d3sGUnIHye8\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>Tierra del viento<\/i><\/b>,<em><strong> (Land of the wind)<\/strong><\/em>, Laura Belinky (Argentina, UK, 2017, 18\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2189\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/LandOfTheWind_Stills_02-300x169.jpg\" alt=\"\" width=\"387\" height=\"218\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Patagonia, further South than most people ever dare to venture there&#8217;s a land of endless distance and beauty. While fine-art photographer Eliseo Miciu explores this mythical place he also learns a bit more about himself.<\/p>\n<p><a href=\"https:\/\/vimeo.com\/210979696\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>Two\u00b0C &#8211; New-York City<\/i><\/b>, Maxime Contour (France, 2017, 4\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2187\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/chelsea-300x169.png\" alt=\"\" width=\"393\" height=\"222\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>What New-York would look like if climate change continued and sea levels rose high enough to flood it?<br \/>\nThis film is based on studies and forecasts of scientific experts on global warming if no new strong measure against that is engaged.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>White trash<\/i><\/b>, Sun\u010dica Ana Veldi\u0107 (Croatia, 2017, 11\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2190\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/WHITE-TRASH-stil4-300x169.jpg\" alt=\"\" width=\"383\" height=\"216\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Foggy winter morning on the junkyard Jaku\u0161evec where hundreds of gulls are feeding on human trash. The whiteness of their flying bodies are the complete opposite to the garbage beneath them.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/vimeo.com\/253628163\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b><i>Wind should be heard not seen<\/i><\/b>, Claire Sanford (Canada, 2018, 13\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2196\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/WSBHNS-1-300x181.jpg\" alt=\"\" width=\"380\" height=\"229\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>From Western China to Beijing, from Seoul to the Pacific, we follow an unlikely protagonist : dust. When worrisome environmental changes can be measured by studying the wind, people start to find ways to adapt to our transforming planet.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=6fOaje3ncJc\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong> Zirdzin, hallo! (Hello, horse!)<\/strong><\/em>, Laila Pakalnina (Let\u00f2nia, 2017, 24\u2019)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2193\" src=\"http:\/\/foradcamp.com\/wp-content\/uploads\/2018\/08\/Zirdzin\u0327-hallo_1-300x154.jpg\" alt=\"\" width=\"382\" height=\"196\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>A film about everything changing while remaining the same. Or, rather, everything remaining the same while changing.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/vimeo.com\/225899273\" target=\"_blank\" rel=\"noopener\"><strong>+ watch trailer<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>7th Nature and Cinema Exhibition ForadCamp 2018 After\/Life, Puck Lo (USA, 2017, 15\u2019) &nbsp; In an Arizona desert, a dystopic collective nightmare unfolds where US domestic and foreign policies collide. + watch trailer &nbsp; &nbsp; Cer\u00falia i negra, Maci\u00e0 Florit Campins (Spain, 2018, 5\u2019) &nbsp; \u00abCerulean and black\u00bb is a romantic exploration of the maritime&hellip;<a href=\"https:\/\/foradcamp.com\/en\/official-section-2018\/\" class=\"button\">Read more <span class=\"screen-reader-text\">Official Section 2018<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2098","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/2098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/comments?post=2098"}],"version-history":[{"count":12,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/2098\/revisions"}],"predecessor-version":[{"id":2119,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/2098\/revisions\/2119"}],"wp:attachment":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/media?parent=2098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}