{"id":2560,"date":"2022-08-29T20:07:04","date_gmt":"2022-08-29T18:07:04","guid":{"rendered":"https:\/\/foradcamp.com\/en\/?page_id=2560"},"modified":"2022-09-19T12:44:56","modified_gmt":"2022-09-19T10:44:56","slug":"awards-jury-2022","status":"publish","type":"page","link":"https:\/\/foradcamp.com\/en\/awards-jury-2022\/","title":{"rendered":"Awards & Jury 2022"},"content":{"rendered":"
Awards XI ForadCamp 2022<\/span><\/h6>\n

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The jury for this edition, composed by Cloe Masotta, Rub\u00e9n Margall\u00f3 and Federico Delpero<\/a>, has awarded the Best Short Film Award<\/strong> (awarded the ForadCamp Rain Trophy and \u20ac300 in cash), for \u00abCan Gardell\u00bb, by S\u00edlvia Subir\u00f3s and Florencia Aliberti<\/strong>,<\/a> \u201cfor the projection of a critical gaze, full of irony, to a rural world presented as a neoliberal fetish<\/em>.\u201d<\/p>\n

The jury has also awarded a special mention to \u00abThe day they blew up the mountain\u00bb, by Alba Bresol\u00ed Aliberch<\/strong>, \u201cfor showing the capacity of cinema to preserve the vestiges of a reality in extinction. <\/em>\u00bb<\/p>\n

The Distribution Award<\/strong>, sponsored by Festhome and awarded by the INDOC Association, went to \u00abSome Kind of intimacy\u00bb by Toby Bull,<\/strong> \u00abfor being an honest portrait in which the director, with minimal brushstrokes, depicts the relationship between human beings and nature, between life and death<\/em>\u201d.<\/p>\n

The Special Mention granted by the Granollers Cultural Association<\/strong>, has been \u2018ex aequo\u2019 to the films: \u00abMemory\u00bb, by Nerea Barros<\/strong> and \u00abThe day that They blew up the mountain\u00bb, by Alba Bresol\u00ed Aliberch<\/strong>. The mention has been granted in recognition of the work and good use of narration, photography and montage.<\/p>\n

And, finally, the Audience Award <\/strong>has gone to \u00abThe day they blew up the mountain\u00bb, by Alba Bresol\u00ed Aliberch.<\/strong><\/p>\n

\n

 <\/p>\n<\/div>\n

\n
Jury 2022<\/span><\/h6>\n<\/div>\n

Cloe Masotta<\/strong><\/p>\n

She’s a teacher, film and contemporary art critic, curator and cultural mediator. She has a PhD in communication from the Universitat Pompeu Fabra, where she previously studied for a BA in humanities and audiovisual communication and an MA in contemporary film and audiovisual studies. She also has an MA in contemporary art theory and criticism from the Programa d\u2019Estudis Independents at the MACBA. She recently published Exquisite Bodies. Identities and Desire in the Films of the Xc\u00e8ntric Archive<\/em><\/a> (2020) and Tendremos que encontrar un lugar donde encontrarnos<\/em> (2020).<\/p>\n

Rub\u00e9n Margall\u00f3<\/strong><\/p>\n

He holds a degree in Communication Studies from the University Pompeu Fabra (UPF). His first work, \u201cFamily 068\u201d<\/strong> (27\u00b4, 2007), made with Toni Edo, was accepted in several festivals. Master in Creative Documentary in the UPF, he he directed \u201cAccidental Death of an Anarchist\u201d<\/strong> in the collective film Prescribed 69\/78<\/em><\/strong><\/a> (2011, 90\u2032). His first feature film, Still land<\/strong><\/em> (2013, 72\u2032) was premiered at Cin\u00e9ma du R\u00e9el Festival (Paris, 2013), and was also screened at Doc Buenos Aires and L\u2019Alternativa. He currently combines his work as an assistant director in various fiction productions with the writing of new fiction projects of his own.<\/p>\n

Federico Delpero<\/strong><\/p>\n

He has been involved in production and and post-production documentary films since 2010. He has worked with Jos\u00e9 Luis Guerin, Andr\u00e9s Duque, Yrsa Roca Fannberg, Frederico Lobo, Tiago Hespanha, Nuria Gim\u00e9nez Lorang, M\u00f2nica Rovira, Aitziber Olaskoaga, Cristina Hanes\u0326, \u00de\u00f3runn Hafsta\u00f0, Marta Saleta, Marta Gonz\u00e1lez and Alexandra Garc\u00eda-Vil\u00e0, among many others. The films he has worked on had been screened in Locarno, Karlovy Vary, IDFA, Zinemaldi, Nordic Panorama, Art of the Real\/Lincoln Center, Sundance, HotDocs, Visions du R\u00e9el, FIDMarseille, Cinema du R\u00e9el, Doc-Lisboa, Rotterdam IFF, Leipzig, etc. He holds degree in Laws and a master in Creative Documentary, and has participated at the EuroDoc International training program for Creative Documentary Production.<\/p>\n","protected":false},"excerpt":{"rendered":"

Awards XI ForadCamp 2022 The jury for this edition, composed by Cloe Masotta, Rub\u00e9n Margall\u00f3 and Federico Delpero, has awarded the Best Short Film Award (awarded the ForadCamp Rain Trophy and \u20ac300 in cash), for \u00abCan Gardell\u00bb, by S\u00edlvia Subir\u00f3s and Florencia Aliberti, \u201cfor the projection of a critical gaze, full of irony, to a…Read more Awards & Jury 2022<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2560","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/2560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/comments?post=2560"}],"version-history":[{"count":7,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/2560\/revisions"}],"predecessor-version":[{"id":2604,"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/pages\/2560\/revisions\/2604"}],"wp:attachment":[{"href":"https:\/\/foradcamp.com\/en\/wp-json\/wp\/v2\/media?parent=2560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}